Advancing Design in the Middle East and North Africa—Building Cross-Cultural Networks
Project Mulsaq, exhibition this upcoming Thursday (13Nov) at Traffic Design Gallery in Dubai. Click here to download the e-catalog, and for updates about the exhibition and points of sales.
The Khatt Foundation, Center for Arabic Typography is a non-profit organisation that aims to encourage new design developments and improve (typo)graphic communication in the Arab World. We strive to connect designers and visual artists, provide information about various resources, projects, news and events regarding this highly specialized field of visual communication. Join us, read, contribute, and meet colleagues. Learn more about the Khatt Foundation's activities and projects.
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Project Mulsaq, Dubai exhibition
The first Khatt Design Collection of Wall Stickers
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13 Nov 08>5 Dec 08
Traffic | Saratoga Bldg. (behind Tamweel), Dubai (view on map) | T +971 4 341 8494 |
The limited edition collection is available for sale in main major design outlets in the UAE – including Traffic and 50ºC – and on line at www.diadiwan.com from December 2008.
Self-adhesive vinyl wall stickers have revolutionized contemporary European interior design. The Khatt Foundation in partnership with the Dubai based trend setting company, Mosaiques, have recently challenged the best visual artists from the Arab world to re-invent wall design with the Middle East in mind.
A jury of renowned Middle East design specialists such as Nadine Kanso, Nada Debbs and Rami Farook, selected the winning entries of the design competition in which more than 150 up and coming designers from across the region have taken part. This Khatt Design Collection of wall stickers is an impressive mix of traditional Arabic calligraphy and poetry, Islamic and Arabic vernacular symbols, humorous and thought provoking visual puns, all presented in a distinct contemporary form that shows the aesthetic diversity of visual language and graphic design from the Middle East.
The collection will be launched in its premier exhibition (curated by Huda AbiFares and Mosaiques, and sponsored by the only photography magazine in the Middle East, Soura) at the avant garde Dubai based ...
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13 Nov 08>5 Dec 08
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Orientalia : Lead, Light and Letters
Exhibition on Arabo-Dutch Type Design from the 17th-21st Century.
A timely and positive way to promote cultural exchange and understanding between the West and the Arab world, and put the topic in broader historical and cultural context. This traveling exhibition, initiated in 2005 and organized by the Khatt Foundation, is planned to open in 2010.
The exhibition will showcase a series of Arabic type designs that outline the involvement of Dutch punchcutters and type designers in the historical development of Arabic printing types, as well as their influence on the new generation of young Arab (type)designers in Europe and the Middle East.
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Arab visual splendor in French animation
Azur and Asmar, by Michel Ocelot
The film is directed and produced by Michel Ocelot and is a must see for all interested in Arabic visual language. Click here for more details on the film's official website.
The French society has a strong relationship with the Arab culture. Syria, Lebanon, Morocco, Tunesia and Algeria were once French protectorates. The Arabic speaking population in France is still large. France also has a very strong tradition in graphic novel and animation. One of the best educations for digital animation, the SEA Institute, is located in Paris. The French animation style is quite distinct from the American tradition, it is more focussed on visual representation, more poetic, less focussed on narration, fun and humor. Although the French are clearly influenced by the high level of American digital animation production.
It all resulted in a beautiful movie called Azur and Asmar, telling the story of two young men, sharing one Arab mother/nanny but having different fathers: one is Arab the other French. The movie itself is visually totally Arabic, it plays in the Arab world and the story has all the typical ingredients of the Arabic mystical storytelling.




